Maybe Baby 2

I have been looking at porn.

This porn comes in the form of a Facebook page for local moms who are selling or giving away baby stuff. 

I’m on this page because one of my best friends is pregnant, and I have hopped so far aboard her baby-train, I’m surprised I’m not morning-sick myself!

In the past few weeks, I’ve begun reading a book on pregnancy that she read and loved (The Girlfriend’s Guide to Pregnancy), crocheting baby bibs, buying scrap fabric for burp clothes, and practically stalking her to ask if she wants a breast pump I found online. 

As I spoke of in my 2014 blog post “Maybe Baby,” I am not sure whether I want children. 

As then, I am not in a serious relationship, and I still am not willing to go the motherhood route alone, so there’s no real reason to question if I do or do not. But, reasonable or not, that doesn’t stop me from thinking about it. 

With every article on our drought, the cost of living, the planet’s imminent demise, the expansion of the stupid class — I am convinced for a few moments never to bring children into this hateful world. 

And with every true breath of fresh air, every warm hug, every belly laugh — I am convinced for a few moments that I want another human to bear witness to this world’s incandescent beauty. 

I am the age my mom was when she carried me (33), and then my brother at 36. I have been emailing and asking her all kinds of questions about her pregnancies since I began reading the pregnancy book — what was your morning sickness like? what does pregnancy feel like? did you have food aversions? stretch marks? hemorrhoids? (god help us, she did not!)

I have had the liberty and the luxury of asking my mom these questions, and too, my friend who is pregnant, does not. And I am very aware of this fact, and I think it has spurred my devoted interest in her pregnancy — I want to be there as much as I can, because I want to make up for any absence she might be feeling (real or imagined, to me, since I haven’t spoken to her about it yet). 

I was on the phone with my mom this morning, telling her that I feel my heightened interest in my friend’s impending mommy-hood is also that she’s my first local BFF to be pregnant. One of my other best friends in Long Island had a baby last year, and I was able to be there for a few days when the baby was a month old, but that’s all. There wasn’t the same imminent babyhood. 

I told my mom that I’d been thinking about my very best friend from childhood, a woman I’ve known since we were 3 years old, and how I can’t imagine what it will be like if and when she gets pregnant across the country from me. And I began to cry. 

Of course, it’s about her, my New Jersey friend, and it’s also about me. About how I’ll feel, if and when I also choose to have a family — assuming I’m able — so far from her and my own family. 

This is big business. This mommy stuff. 

And I am wanting to prepare to make that decision in a realistic way — so I have doubled-down on my work around intimacy and relationships (or in my case, habitual lack thereof). This morning, I told the woman I’d been working on these issues with by phone for about 6 weeks (a stranger whose name was passed along to me from a woman I admire) that I have reached out to someone local to work the rest of this stuff with. 

And I have. I will continue this relationship work with this local woman who has known me for nearly 8 years, who has seen me at my best and worst, who can call me out, see patterns, and provide so much space for my feelings and vulnerability that I can practically swim in them and still feel safe. 

Yesterday morning, this same woman (as we were talking about what my issues were and what I wanted to work out) said that she'd always felt for me that my issue was around deprivation. 

… 

She’s very astute. 

And it’s also funny to me because it’s one of those things that doesn’t come into focus about yourself until someone else (who knows you well) reflects it back. 

I am very aware of this time in the generation of women around me. My friends who are certain they don’t want kids, ones who know they do, the ones who can't, and ones who, like me, are unsure.

It’s a particular, cordoned off time in our lives. And I’m holding the space for that, leaning into the grief of potentially not seeing friends change their whole lives, them not seeing me do the same. I’m aware this is “future-tripping,” but it’s fair to acknowledge my feelings around it, anyway. 

I’m allowed to not know what will happen (for me or for my friends), and I’m allowed to have feelings either way. 

Today, what that looks like is picking up a bitchin' breast pump for my best friend. Continuing to do the work toward an intimate relationship with a man. And letting myself be both sad and happy for and with my peers. 

"I want to go to there." Good thing I am.

Where there is smoke, there is fire. And where there is fire, we take off our knitted gloves and hold our hands to it. 

It’s not that bad. This work. It’s tragic and awful, and would certainly raise eyebrows in most circles. I just got through chronicling the years from high school through, “Then I got sober.” 

The phrase “shit show” comes to mind. 

And yet, I remind myself, in small, calm handwriting at the end of each of these morning writing sessions that I am not that person anymore. That I have been shaped by her experiences, surely, but that the shape and essence of who I am can’t and couldn’t be eroded. 

Someone commented yesterday that I am courageous. And as I go through and into this work on healing my relationship to relationships and love, I know that I am. 

Not (only) because I’ve chosen (or been “forced” by fate) to do this work at all, but because of all that has come before that hasn’t broken me. 

Injured, scarred, frightened me. Sure. But I sit here today, in my sweats, a space heater licking my calves, half-philz half-trader joes coffee in my mug, and I’m not broken. 

I have been through things and experienced them in a way that makes me cautious to the point of isolation against romantic relationships, but that doesn’t make me broken. That makes me habituated to a way of being. 

It all comes, for me, down to safety. With others, in my body, in relationship, in intimacy and authenticity. To slowly peel back the traumas and defenses and reveal that there’s nothing to be scared of anymore. Nothing that can harm me the way my high school/college/post-college years did. 

I won’t say that my love life in sobriety has been a cake walk or the pinnacle of wise. It used to have a lot of the same patterns as my drinking days. But it doesn’t anymore. 

However, there’s a middle ground, I know, between wanton and nunnery. 

I want to go to there. 

I want to go to the place where I am safe, even in exposing myself. Not because other people are so trustworthy, but because I am. Because my spidey-sense is coming back, and I want to get to a place where I trust it. I don’t have to tap out of the dating game entirely. I just have to listen when the alarms go off, and act accordingly. Take action accordingly. 

In previous iterations of my love-life, I have pressed the override button so forcibly, for moments, I did break. 

But, I’m not that girl-woman anymore. As I said, I’ve been shaped and molded by her experiences. But I also have my own inherent grace, fortitude, and hope. 

And so, where there has been smoke (read: my love life), I have sought the fire (read: my fearful heart). And it will be there that I remove my (boxing) gloves. And learn to love and trust my own self. 

"It's not about the applause."

I’m doing it again. This “auditioning” thing. 

It makes me nervous, giddy, excited, daunted, and happy, underneath all the neurosis. Seems I’m the perfect image of an actor, then, eh?!

But really. I was thinking about it when I was in To Kill A Mockingbird recently, about tweaking the title of Lance Armstrong’s memoir, “It’s not about the bike”: It’s not about the applause. 

At the end of the show, the performance, onstage, when I come out for my bow, I don’t really hear it. Adrenaline in my ears, it’s part of a wall of sound crossed with Charlie Brown's teacher’s voice: Wah Wah Wah. It's the briefest moment. Shorter than an orgasm. It can't be why you do it. 

It’s not about the applause. 

Because in the moment that the audience is able to reflect on what they’ve seen and pass judgement positive or negative, they’re already out of the moment — and that’s not what this acting thing is about for me. 

Not that I have much experience! But from that which I do, I realize that it’s more about what’s happening in the moment of performance with the audience, the experience created with them in real time. Whether that’s engagement, boredom, emotional stirring. 

For me, those moments of connection are what it’s about. To create a space and an environment for others to have an emotional experience they otherwise might not have had that evening. 

For me, it’s always been about that. From poems written years ago that highlight my desire to incite a revolution or evolution in people through performance. 

You can hear it from the stage. Whether the audience is holding their breath, gasping at a sudden revelation. Or crying, you can hear the sniffling. Or laughing, or that one person in the audience who laughs harder than others, or is trying not to laugh because no one else is. 

It’s this petrie dish of human experience. How will they respond, react, be moved, if at all?

I love it. I love being a part of it. I love having a small hand in moving people, of allowing them the moments of anonymity in the dark theater to be moved. That intimacy, even though I will never see their faces. That authenticity they get to experience, even though they paid for it. 

Isn’t that what Aristotle spoke of when he said theater was a catalyst of mass catharsis?

So in those few moments when I’m timing when to step out and down to the apron of the stage, and for a moment be Molly instead of character, it’s like stepping out as the man behind the curtain in Oz. Like seeing how a magic trick works. 

It’s lovely and I won’t fein that it isn’t bolstering to get applause, but I rush that part in my head, braced against it somehow, not really hearing it, just trying to bow and let the next person have theirs. 

Sure, it’s gratifying as we, the whole cast, stand there hands clasped over our heads, knowing that this sound is a show of appreciation and gratitude and approval. 

And I won’t say I don’t like it or hope for it. But. 

It’s not about the applause. 

Retail Christmas: A Family Tale

'Twas the day before Christmas and all through the store

not a creature was stirring, it was really a bore. 

But some time in the day as I walked back from lunch, 

a gentleman remarked, Gee you don’t hunch. 

What great posture you have, and a convo was struck 

as his wife later joined and we talked cardio stuff

He and I spoke of their trip from Vancouver,

his wife in a fight with their my-aged daughter

I listened and shared; it was strange to be sure

to stand in the racks of not-quite couture

and be talking about things that do really matter

and not prattle on with plastic-smiles, idle chatter.

I gave words of wisdom that were passed on to me

about just showing up and letting her be. 

We even talked of my dad, how things there are rotten;

he said try again, love is never forgotten. 

I have my own opinion and still question his advice

it was odd to talk about this, but somehow quite nice. 

Out came his wife, and we put things on hold,

I said a kind goodbye and to stay warm in the cold. 

But as the wife handed me her card and I entered her digits

She shared she and her daughter were really quite in it. 

I didn’t mention I knew, and just made the suggestion

Tell her you love her and are there to listen. 

We smiled, it was strange, and out of the norm

to be talking real life in this capitalist storm. 

A few hours later, my feet throbbing with pain,

I couldn’t wait to get out and back to the east bay. 

When a coworker said there’s someone looking for you,

around the corner came the wife & her husband, too. 

“I wanted to tell you,” she started to sob, 

"I took your advice while I tried on some bras.

“I texted my daughter I was hurt, but am here,

and, Look! She replied!” her face stained with tears.

I read from her phone, while her husband looked on

a bit happy and startled at her goings on.

“I wanted to tell you, I’m so glad we met,

I wouldn’t have been ready before what you said.”

We teared up, exchanged hugs in the DVF stacks,

a slice of what matters near a discount sale rack. 

They left that day a little lighter it seemed,

and I wondered if this is what ‘meant to be’ means. 

I don’t know why I’m there, in the overpriced store,

but for a minute I’m reminded what humanity’s for. 

And maybe it’s not to sell lots of clothes,

to perfect my eyeliner or hike up my hose. 

Instead I was given the gift of what’s real: 

On the day before Christmas, I helped a family heal. 

God Shot

I suppose this could have been summarized as a facebook update, but I thought to write it instead. (On, yes, my very new [refurbished] MacBook Air, so generously given to me as a Chanukah gift from several contributors.

Yes, it’s materialistic [Ooh, shiny!], but yes, too, there are things that I couldn’t do with my old dinosaur that might come in handy — like if I wanted to work from home, Facetime my mom, or watch Netflix on something other than my cellphone!)

Yesterday, I had the day off from my retail job. I didn’t put this on Fbk either, but I had to take 3 days off last week after hobbling from my job mid-Tuesday to my chiropractor, my right ankle swollen and awful. The retail job is hard. The store itself is as large as a city block, and you’re standing most of the time, walking the length of the store others, and there’s no sitting. 

Now, I know when I quit my regular desk job, I said I didn’t want to sit at a desk 40 hours a week, but maybe something in the middle, eh?

And it was with this experience and knowledge, my feet still hurting, but apparently getting used to it, as my coworkers and dr said I would, that I went yesterday morning to a cafe to continue working on my holiday collage cards. 

I wanted to get out of the house, and I didn’t know if I’d get kicked out of the cafe as I spread cardstock, magazines, scissors and a glue stick out on the table. But, I wanted the human connection, too. 

And, lo, I did not get kicked out. I sat there at the large “handicap accessible” table (don’t worry, no wheelchairs rolled in), and I continued cutting and glueing, pasting and maneuvering images. Even used the alphabet letter stamps I’d bought 2 years ago and the ink I’d been given when I was sick. 

I sat there, content, enjoying, a little self-conscious and waiting to be scolded when a family with two daughters (I’d overheard) home from college for the winter break sat down next to me. One of the daughters tapped her family and looked over at what I was doing, and remarked, “Isn’t that cool?”

It was a sweet thing. I finished the card I was making and put it to the side of my over-large table, knowing I would hand that one to her when I left the cafe. 

A few minutes later, her mother turned and asked me what I was doing, if these were for sale or what? I replied, No, these are just holiday cards, my presents to my friends. For fun. And then I handed her the one set aside and said, “This is for your daughter.” 

She took it, surprised and grateful, and we exchanged names and shook hands. And I smiled at her daughter who’d admired my work. (“No one will ever believe I made this,” I heard the daughter say to her sister, amused.)

I smiled. I was glad to give her something. I was gratified that she’d admired something I consider so elementary and basic and fun for me. 

And then, as the family packed up on their way out of the cafe, the mom turned to me again and handed me an envelope with the words Happy Holidays written on the front. I thanked her, and wished them all well, and they left. 

In the envelope was a holiday card in which she’d written, “Thank you for your kindness to my daughter. Happy holidays.” And there was a twenty dollar bill. 

It was one generosity inspiring another. But it was more than that to me. 

I have felt so unmoored during this "job transition” time. Especially since I’ve taken on this retail job and can barely make it through a day with a breath to myself. I come home late, exhausted, and fall into bed. Chores are undone. Dishes unwashed. Groceries unbought. 

I cried Monday morning on the floor of my closet as I got ready for the day, exhausted from the long Sunday hours. I have felt so alien to myself with so little “me” time, so little time to think about or explore what could or should be next. 

I have felt lost, and a bit hopeless on the career/job horizon. 

And yesterday morning, I sat in a cafe, doing something I love to do because it’s fun and creative and easy and whimsical. Because I know people will enjoy them, if even for only a few weeks on their mantle. 

I sat there, and I was seen. My work was seen. And it was appreciated. 

I was an artist and I was rewarded, if that's the word for it. I was in the world and I was given a “god shot” — a moment of, Moll, you’re on a path, we promise. This, arting, is one of them. Being in the world is one of them. 

Go out. Be seen. Create. Give. 

We see you. The Universe and those in it see me. 

It was one moment. One interaction. One family. But it meant more to me than they knew. As lost as I feel, it was a reminder that I’m not a total fool for not toeing the party line. 

This experience doesn’t point me in a direction, but it is a welcome dose of hope when I very much needed to know that what I can give to the world is indeed greater. 

The Miracle of 12 - 13 - 14

“I’m getting married on 12/13/14,” I half-joked to my coworker early this year.

I just love the order, the numbers, the unique fact that consecutive dates like that won’t happen again until 2103 (1/2/03).

My favorite time of day? 12:34.

Although "5:55" is another favorite, because my brother and I used to stand in front of the microwave (the only digital clock in the house then), look at the time and announce, “Five fifty-five!” and then lean over sideways, our heads upside-down, and announce, “Fifty-five five!” and then stand up straight and do it again: 5:55!! 55:5!!

I love that kind of order and ease, palindromes, sequences.

THREE POINT ONE FOUR ONE FIVE NINE – I THINK PI IS MIGHTY FINE!, is one our mother taught to us.

And so, when early this year, I looked at the calendar and saw that one of these special dates was coming up, I declared to my coworker that would be my wedding anniversary date.

Now, this was, say June, maybe? No boyfriend. No prospects. It would be a short engagement! But I figured, What the hell, it’s always good to declare things to the Universe. Why not?

And 6 months later, yesterday, it hit. December 13th, 2014.

No, I did not get married. Alas.

But I did get something else. An outpouring of love that rivals the strongest romantic connection:

Yesterday, you all erased my cancer debt. In 36 hours. Less than two days. Poof! Gone. Done. Finished. Eliminated.

FREE.

Yesterday evening, I became free. Because of the love and generosity of you, my friends, your friends, and even people I barely know.

One of the donors is a woman I helped at my sales job this week. A brand new woman I hit it off with, and happened to mention the launch of the campaign on Friday.

“Send me the link,” she said. And she donated, too.

Over 60 people contributed to the campaign, not to mention the shares and “likes” and “We’re with you” emails and messages.

In 36 hours. It’s done. Something that has harangued me since I got sick is over. Something I put in every monthly budget and calculate how long it will take, and that I can never move from my apartment with that debt. Something I was shackled to. 

Until yesterday. 

Now, I have to wait for the campaign to officially close in January, and for the crowdfunding site to take their cut and then send me the donations.

But then, I get to write a check to my landlord. And I get to say, Yes, it’s time to clean out that janitor room–cum art studio, unstick the windows, clean out the dried cat poop, put a lock on the door, and hand me a key. 

And then I get to move my art supplies up. Out of my closet. Out of random drawers.

The half-started art projects, the oil paint, acrylics, and embossing gun, the colored pencils, and easel, and oil pastels, collage magazines, glue sticks, stamps and stickers, brushes and sketchpads and canvases, exact-o knives and glitter.

All of this. All of this hidden away in my studio apartment closet. All of this out. Up. Lit. Alive. With me, available to me. Creation incarnate.

I get to m o v e  o n.

12 13 14.

I didn’t get married yesterday. But what is a wedding except a display of love, commitment, hope, cherishment?

On 12/13/14, I absolutely received that. Your love, your hope, your belief in me.

Wow.

And: Thanks. 

I’ve started hearing voices again.

I’ve started hearing voices again.

Now, before you call the padded-room brigade, this is a good thing.

In the time and space I’ve had since quitting my full-time job at the end of October (despite the roar of negative thoughts and virulent self-questioning), I have begun to find space behind the thinking. And it is within this space that I’ve always germinated the seeds of my writing.

When I explain it in person, I raise my arm behind my head, and wave my hand in the general direction of “back here.” I tell them that it’s like there’s a room back behind my head, where the ideas start to percolate. They marinate, germinate, ruminate, and when they’re ready -- the indicator popping up like the thermometer in a slab of roasting turkey -- I open the door and chase them onto a page.

By the time the door opens, they’re pretty fully-formed. But they need the time and space and freedom to sit back there, talking amongst themselves, these ideas. I can hear them back there, murmuring. I begin to hear bits of phrases. The sense of a topic, a genre.

My waking thoughts start to curve in that direction; they start to gather information that all funnels to the same place. I collect these bits and feed them like coal into a furnace.

It’s partly, I know, the time and space that I have to think, not crowded with the demands of a 40-hour job. But it’s also working on “To Kill a Mockingbird,” reading the book at night, becoming immersed the language. (I used the word “rightly” twice in a recent blog; I become a sponge and a regurgitant of what I feed my brain.) It’s also watching Netflix's “Peaky Blinders,” and being stunned by the cinematography, the bold and sweeping camera work inspiring me, reminding me of the nuance and exaltation of art.

It’s listening to NPR, and a man's purple report of bison grazing in Canada, when the song of birds “split the silence like a candle,” and it became “the end of a day that started as a morning.”

I begin to collect these images, words, sensations like a magpie, not knowing what will be useful, but shoveling it all in anyway, trusting my process of alchemy.

I’ve begun hearing voices again. And this brings me hope.

Spiritual Echolocation

I am not the best judge of my progress or my abilities. But, even though I can’t rightly see myself, I’m beginning to notice that I am hearing it from others.

And this in itself feels like progress: At least I’m hearing it.

There was a time when I described compliments as one of those bug zapper lamps people hang on their porch. The bugs merely get within range of the lamp and they get zapped dead. Same with compliments for me: Anything positive that was said would get deflected before it even got close to touching me. None of that here, pew! pew!

I'd said that you can’t receive a compliment if there’s no complementary place within you to receive it. If there’s nowhere it fits within your own understanding of yourself, then there’s no way that it can be accepted. There’s no ring of truth, because you don’t believe it yourself.

Time passed, and I’ve become more able to receive positive feedback about certain things, because I have begun to hone and cultivate the place within me that is receptive, the place within me that believes you because I believe it myself.

That said, there’s room for growth.

This week, I’ve had several experiences where I’ve been told about my progress and abilities, and even though I can’t quite feel this, I’m beginning to recognize that I believe them, I believe others are seeing this, even if I'm not myself.

Hence, spiritual echolocation. I can’t see it myself, but I believe in the feedback I’m receiving – so there must be something to it.

I know that feeding off external validation is not the way to walk about the world, but what it’s doing for me is giving me hope that one day I can see it. There is an existence of a cave wall. Others are telling me so. If that is truth, there is hope that I will see it, too.

On Friday night, after the first act of our opening night of To Kill a Mockingbird, the director came backstage. He was beaming. He was so glad and proud of the work I was doing on-stage.

I was dubious. But I thought Wednesday’s preview night went much better; it felt better.

He told me he was the only rightly judge of my performance, and Friday night, I was better.

Whether I felt it or not.

On Saturday morning, I went for my semi-regular voice lesson. And at the end of a phrase I’d sung, my teacher applauded and cheered – he even gave me a high five.

“Did you hear that?” he asked, delighted.

No, I didn’t. I can’t hear myself.

The noise and buffer between what is and what I perceive is loud and thick.

“We’re going to have to record you more then,” he said. “You have to get used to hearing yourself.”

This morning, I was on the phone with my mentor, and I reported these incidents to her, as I begin to parse out these places where I’m being told one thing, but I’m hearing and sensing another.

She, too, had told me that I’m farther along than I can feel. And she gave me a metaphor (because we all know I love those!):

She told me I am a tree creating deep, deep roots. A solid foundation. And you can’t always see that growth above ground, but it’s happening.

We were talking (again) about my questioning of where and who I am this lifetime and where I’m going. And she said, some people have really gorgeous foliage, and weak roots.

We’re doing the work now -- early, some might say -- that others come to in mid and later life. Creating a root system, carving out the rot, cleaning the wounds.

Like a field of asparagus, you don’t see its heroic work until one morning you turn, and the whole field has sprouted green, fully formed, like Athena.

I am not used to hearing or seeing myself clearly. I’m not adequately armed with the ability to track my own progress. And thank god for other people, then!

But I do feel the promise and the hope of their reflection. I am beginning to hear what they’re saying instead of zapping it, because I'm beginning to uncover the place within me that believes it myself.

I’m starting to open to a truth that’s been, and is, hard for me to swallow:

I am worthy. 

There always had to be a fly...

...in the ointment.

If things were going well, there was always the knowledge that my father’s parents were shut-ins and deleterious hoarders. Or that my mom was manic-depressive. Or that my brother had a horrible stutter.

There was always the reminder that my clothing was bought at discount stores, that my father had an awful temper, or that my mom’s parents had died under circumstances that ripped her family apart and isolated us against them.

If things were going well, there was always a skeleton or two to whisper in your ear about not believing good things were for you, about being dragged down, about not being allowed to be happy.

Today, those long-quieted skeletons, imagined they’ve been exorcised for years, have begun their murmurous palaver again.

Yesterday, I had a phone call with my mother. She is sick. Again. It’s the same or similar cold/sinus infection she’s been struggling against for over a year. And when it came up last year, when she didn’t know why she kept getting sick, when doctors didn’t immediately know why either, I called my psychic.

Because at the time, all roads led to cancer. Did she have it? What was going on? What can I do?

No, said the woman on the phone. It’s not cancer, but whatever it is, if she doesn’t deal with this, with what’s underlying it, it could be the beginning of a long road to the end. This could be the thing that takes her out.

Whatever your thoughts about intuitives aside, I’d worked with her enough that she knew of what she spoke. And from all indications since that phone call over a year ago, it’s proving pretty accurate. My mom is still sick. Healthier, Sick, Healthier Sick.

And I’m dragged immediately back into a curtain-drawn bedroom where she’d curled up against the light, fighting another one of her chronic migraines. I’m dragged immediately back into being a child taking care of her mother, telling her to get out of bed. Leaving her there, and getting my brother and I out the door for school.

My mother is a woman of chronic ailments. And this newest one, whatever its cause, reason, purpose, is dragging me down again with her.

What is love, comes the question? What is equanimity? What is detachment, enlightenment? Fate? What is the caustic, oxidizing rust that others’ baggage leaches onto you and your own path?

And what is my responsibility in helping them through their pain?

Especially if they don’t recognize it as such.

So much has come up lately about codependence versus interdependence. About leaving others to their experiences and feelings, and letting that not affect what I’m doing and how I’m feeling. Even something as simple as the play, and trying to not let the audiences’ reactions sway my mood.

I feel angry. I feel angry this feels like it’s happening again. I feel angry that I’m powerless about how she cares for and treats her body, about how she schedules her work in the 12-hour days without lunch breaks. About how she spends her off days flattened, recuperating from her over-working.

I’ve had to do so much work on letting her have her experiences, despite my opinions, and yet. And yet. I’m human. And I love her, and I don’t want her to be in pain. And I don’t want her to deteriorate.

And moreso, I don’t want her life to affect mine.

When does a child grow up? What is the role of a loved one? How can you, and can you, let someone crawl along the bottom of their own experience, while you make strides in the direction of your own fulfillment?

Because that’s what’s at stake here. Callous as it may sound, it doesn’t matter, ultimately, what happens with my mom. What matters is what I take on about it. How I allow it to affect me. And mostly, can I continue to make my life what I want it to be when there are still murmuring skeletons?

My whole life, I’ve been distracted by the flies. I’ve allowed my attention to be derailed in fishing them out, or I’ve simply allowed them to decree that I cannot be happy because they exist. That I cannot find success because there are flaws in the tapestry of my surroundings.

Obviously, I write about it today because I’m upset and I don’t have the answer to these questions. Because I don’t know how to move forward when there are tendrils threatening to draw you back.

So, for today, I’ll leave it both as an open question, and as evidence of a success. Because, today, I get to tell you about it. And darkness can’t live in the light. 

B’reishit: In the Beginning…

This week in the Jewish calendar, having unscrolled and read the whole Torah throughout the year, we come again to rewrap it all the way back to the beginning to read the very first word: B’reishit, “In the beginning.”

We’ve come to the end of something, and we wind it back to the beginning to start again.

I can’t think of a more appropriate coincidence and parallel for my own life.

Yesterday afternoon, Addams Family The Musical closed to a full house, once again. We said our final jokes, we emphasized things a little more. We cried at that one “Happy/Sad” song that reminds us that most things in life are a little of both. And when the final bows were over and the final patrons thanked, we came back to the dressing room for the last time, finally and pleasingly and thank god-ingly taking off our sweat-soaked costumes. The last time getting someone to help me un-pin the dress, the last time taking off the long and elaborate and hot wig, the last time returning my mic pack to the sound designer.

And when this was all done, and most of the makeup had been removed from our faces…

We began tearing down the set. The set that only a handful of weeks ago we’d built, and painted, and staged, and seen evolve right before our eyes. The same stage that only a few weeks before that, we’d all stood on for auditions in the remnants of the set from the previous show.

And now, here we were, making this, our set “the remnants of a previous show.”

Because To Kill a Mockingbird opens in 4 weeks.

I asked some of the old-timers if they got a little wistful breaking down something that was like another character in the show, if it was sad to have put it all up, just to take it all down? And each of them said, No. It’s part of the gig. They’re used to it. To the turn-over, to the letting go.

I’m not, yet! It was happy/sad for sure. It will be strange tonight to come to the theater for Mockingbird rehearsal and see the bones of our Addams set on the stage, picked clean of the character we’d built. And yet, if this isn’t a great lesson in the constant ebb and flow, creation and destruction, then I don’t know what is.

In the beginning, we were tentative and perhaps shy, getting used to one another’s personalities, contributions, moods.

In the beginning, we created something out of nothing, out of a few words and notes on a page, sitting in a small room with a piano, laughing a little, tense a little.

In the beginning, we didn’t know about the tech problems or the extra rehearsals. We didn’t know the petty arguments we’d have, or the number of times we’d have to control rolling our eyes.

In the beginning, we didn’t know the kind of joy and laughter we’d create on-stage or back-stage. We didn’t know the relationships we’d form, and the singular role each member of the cast and crew would take. We didn’t know that we’d come to love each other.

And now that we’ve unscrolled to the end, and we’re about to bring it all back to the beginning again, I am sure that we have learned something, something critical to the nature of life and love and joy and experience, that we didn’t know we would and that will carry us forward as we start once more with new words and notes and castmates.

In the beginning, we were strangers. We’ll never be that way again. 

Pumpktoberfest

I’m sure I write about it every year, but as the wafts of pumpkin spice glide out of my coffee mug, I’m moved to write about it again.

Fall. Fall on the East Coast. Growing up where Fall means a certain smell of chill and decaying leaves. Kind of wet, sometimes, the piles you’ve helped stuff into enormous black plastic bags that I’m sure are illegal in California by now. And heaping them into the street, spilling off the curb, where you and your little brother will take a bounding head-start and leap into the center of the pile, the slightly moth-eaten leaves enveloping you up to your shoulders, softening your fall and bathing you and your senses in its musty, alive scent.

I noticed the leaves blowing last night, and here, they sound different as they tumble across the pavement; they sound dry and tired, each one brown and curled up on itself. Back East, they’re still half-alive when they fall, some of them. So they lilt and are soft, and … colored. How many people must write about the color of the leaves, the ombre fade of red and orange and gold. There’s something about their display that radiates joy and change and marks something miraculous, something that we, as humans, have the unique privilege to recognize and admire.

Pumpkins start popping up on doorsteps. We hang Indian corn, the same set of three tied to our front door for as long as memory serves, and three small palm-sized pumpkins decorate our own stoop, before squirrels begin to bite chunks out of them, and a jack-o-lantern we've spent all day carving.

Fall begins the part of the year when I felt and feel most loved and normal and inviting and, again, loved. It begins with Halloween, and follows through Christmas (celebrated at my dad’s folks house, who are/were vaguely Christian). The time of year when we feel swept up in something, in something communal, town-wide, Jersey-wide.

We celebrated, we decorated, we invited, and we lit fires in the fireplace, and ate my dad’s pumpkin pie. Our one time of year when my family could gather together in a semblance of normality, and put on the most average and happy face we could, and it was all decadent. The feeling of it was.

The change of the season with its scent and sights, and the length of the days, the incoming dusk approaching like a secret to encase you. Creeping slowly closer and closer, but welcoming, the cool still amenable, coaxing and gliding you home in the dim light, toward a mug of hot apple cider perhaps. Maybe one of the gallons we’d picked up from our annual apple-picking trip, harvesting hoards of apples, plucked in those wire basket poles that my brother and I would wave menacingly at each other, slipping on fallen rotting apples in the orchard, filling up woven wooden baskets we could barely carry out.

It’s the change of the light and the scent that’s been my indicator these California days. It’s not the same as Back East, but there’s still the aroma of crispness and an excitement.

I will begin to buy all things pumpkin, like the rest of America. Like the pumpkin pancakes my friend treated me to yesterday, and the abomination of flavored coffee that I’m drinking right now.

I will use the pumpkin ganache cookie recipe that was given to me by a college roommate and make the pumpkin pie that my dad’s passed down through trial and error – a recipe that would never, ever, include “Pumpkin Pie Spice,” but itself includes about 8 individual spices, which I own expressly for the pie’s creation.

Fall is a time of coming back to center, of reigning in the resources. Of whittling down excess and getting the necessities done in the light of day. It’s a time that rings with good memories, full, warm, joyous memories. Fall reminds me of the earth, of how the natural world has shaped my experience. And it tastes like the release of a constriction you've held the whole year, the exhale and inhale of a breath you haven't dared relax to take. 

To me, Autumn tastes like love.

Can I get a Witness?

You want it to be done. You want to stop referencing cancer, or marking time as “before I got sick,” “when I was sick.” You wanna stop the pang of knowing that “sick” was more than a bad cold. You wanna stop remembering what it felt like. And you want it to stop being dramatic, and making you feel dramatic.

You want the, “Oh, you cut your hair” comments to not sting as much, since no, you didn’t cut it, it fell out. You wanna feel neutral when you see a t.v. show where someone’s diagnosed with it, and stop silently commenting, No that's not at all what it's like. You want to stop gagging every time you smell Kaiser hand soap. You want to stop feeling the fear and the grief and the heartbreak you’d felt when you were sick.

The feelings you couldn’t really feel then because you had to just soldier up. When you were told, You could be a poster child for cancer. When you had to be braver than you wanted because you needed to not scare your friends.

And, there were the few friends you knew you didn’t have to be brave with, or braver than you'd felt. There were the few who let you cry the Ugly Cries, and the one who laid in your narrow hospital bed with you while you napped, all wiped out from chemo. The one who went to three health food stores to get the right kind of protein drink, since you couldn’t eat solids. The one who bought your own bejeweled reusable cup in which she brought you green shakes, and who packed and unpacked your hospital room with you every single chemo round, and stayed overnight at home with you the first night after your first release.

You want to remember the witness, and you want to forget why you needed one. You want to offer the deepest gratitude and you want to stop feeling gnawed by the uncertainty of that time.

You want to love the witness, and you want to stop being reminded of what it was they held you through.

There is no forgetting, there’s only fading. And I don’t want to forget it really; I just don’t know how to process it all still. Though it seems I am nonetheless.

I was on the phone with my mentor yesterday, talking about this one friend who showed up for me then and how, post-cancer, our relationship hasn’t been as strong or connected. That somehow it’s almost like cancer, or acute trauma, was the foundation of our friendship, and now that it’s passed, it feels like there’s not much more to go on.

I told her how sad I am that we’re not like we were, but that I don’t know that I can or if I want to be otherwise.

It reminds me of a quote from a movie that will make you groan. But. In Speed, Sandra Bullock tells Keanu Reeves that relationships based on intense experiences never work. (She later jokes, they’ll have to base it on sex, then. And that’s not really an option with my friend, cute as she is!)

So, what do you do? I told my mentor that my friend was a witness to that hardship, and about my pattern of how difficult it is for me to let go of certain things because I’m afraid people won’t believe me. That my experience of something will be called into question, without someone else to verify it. My friend is my verifier and my witness. Without a current relationship, who will remember? Without the reminder, who will believe me?

So, it’s about more than her, isn’t it? It’s about more than needing her continued friendship as a point of reference of truth in my life. It’s about my own ability to hold truth and facts for myself without outside validation.

And that, is a lifetime process.

But it brought up a lot of grief yesterday on the phone (which is why there was no daily blog). The star-pupil cancer patient. Who wore bright colored socks and leopard print chemo caps. Who had her own stash of organic herbal teas and would walk into the hall to fill her own ceramic mug from home. The star cancer patient who worked so hard not to be one, now processing what it actually felt like underneath all that “Chin Up” posturing that was half-posturing, half-I’m totally awesome, and cancer can fuck itself.

But the friendship has suffered since I’ve been healthy. And I don’t know how or what to do on that. I think releasing the attachment of my friend as witness, of needing a witness is a good place to start.

I don’t want to remember and I don’t want to forget. And until I find a place of peace with “what went down,” that division will always cause me unrest. 

Blood Brothers

Yesterday morning I had coffee with a cancer friend, for lack of a better term.

He’s someone who reached out to me when I returned to work last Spring, who was 15 years out from his own similar cancer diagnosis, and said if I ever wanted to talk, he was available.

Since then, we’ve had coffee about once every 6 months or so, and we get to talk about walking back into a life that sort of looks the same on the outside, but has completely changed. We exchange the requisite, “Everything’s okay with your health?” question early in the conversation so we can continue on.

We speak mostly about work and fulfillment.

At the time we first met up, he was in a transition of his own, and now, about 18 months later, is again. And so we spoke about meaningfulness, about intention, about the often tipped balance between the checkbook and joy.

I love talking with him. Because he is my cancer friend. Because, it’s different than the first coffee date I had even earlier yesterday morning (a Jewish holiday and therefore a day off work), when I met with the home stager about potentially working and apprenticing with her.

With her, I only said things like, I’m just looking for a change and to instill more creativity into my every day life, to engage more of my heart in my work. With him, the whole conversation is built on the understanding of why that’s so. It’s not just because I’m a flighty 30something; It’s because I’m a fighting 30something (if you will).

I left the first coffee date with the home stager feeling mildly despairing and depressed. And I left the conversation with my cancer friend feeling uplifted, supported, and understood.

I know what he’s talking about when he says how it wrecks him that he has been so wrapped up in work again that he hasn’t had time for his outdoor hobbies. He knows what I’m talking about when I say that we have the privilege and curse of not being able to run on the hamster wheel of life without questioning what we’re doing.

I never wanted a cancer friend. I never wanted to be part of a cancer support group, and tried a few times without going back. Therapy isn’t the same thing either, though that helped. But talking with someone who also had their next breath marched up to the guillotine… it’s different.

It’s not "all cancer all the time." Our conversation wasn’t even about grief or anger. It was barely about cancer at all, except that of course it was. It is the reason we met, became friends, and can share with one another on a different level what our life paths are looking like and what we want them to look like and the struggle between just going along as planned and taking the time to question it all.

I imagine in some ways, it’s like war veterans’ ability to have an instant understanding of one another: You’ve both seen life and death; you’ve both fought bravely and been terrified; you’ve both come back to civilian life and are attempting to make sense of it all, while still paying your cable bill and buying groceries alongside every other citizen.

But you also know that, conscious or not, you both make every decision in reaction to and on top of your experience at war. You can’t not. It’s part of your DNA, now. You’re blood brothers.

I never knew I needed a cancer friend. And I sit here writing with tears of gratitude that I have one. 

Having My Cake and Eating It Too.

(Yes, I’m gonna go there. Bear with me!)

In 12-step recovery it is custom to acknowledge lengths of sobriety or abstinence. Within the first year, we often acknowledge monthly mile-markers, and after a year, we acknowledge annual “birthdays” or “anniversaries.”

Why do this? Why stand up in front of others and say that you’ve accomplished something? Isn't that selfish and self-seeking? Why does it matter?

Well, the conventional wisdom is that it shows others that it’s possible. You’re not actually doing it for yourself, although that’s quite nice; you’re helping others to see that “one day at a time” adds up to months, and even years. You’re offering hope to others.

In our “belly-button birthday” world, why acknowledge our birthdays either? I have friends who eschew celebrating their birthdays. Why celebrate? It’s not like you *did* anything. You just lived another day.

And, just as with recovery, to me, that’s the point these days.

It’s to celebrate and share the fact that you made it. That you are alive. You did do something: You lived.

A former mentor of mine used to call this our “precious human life.” A Buddhist, her meaning is how rare it is to inhabit a human form this lifetime. We could have been a tree or a toad or a fruit fly, alive for 24 hours, unconscious. But we’re not.

We’re animated, active, Fate-affecting. And Fate-affected.

We’re constantly learning and changing and fighting and hoping and loving and hating and struggling and triumphing. We’re constantly forming ideas of who we are and who the world is; where we are and where we want to be.

We’re creating our lives with every breath we have the privilege to draw.

So when a co-worker the other day shushed everyone as we wished her a happy birthday, saying she doesn’t do birthdays, I did whisper to her, But imagine the alternative.

We do fight to be here, conscious or not; every day, we are making a decision to try. No matter what that looks like, even if it looks like stagnation or the mundane. Even if we are the tired, poor huddled masses. We try.

The celebration of a birthday is an acknowledgement of a year of living. A year of something precious and rare and teeming with uncertainty and, hopefully, love.

Today, I turn 33 years old. I have survived alcoholism, dysfunction, gang rape, and cancer.

I have formed and smashed relationships. I have melted and embraced. I have survived my own machinations. And become a metallurgist.

I, my friends, am an alchemist. And I honor us all today by showing you:

We live.

And how!

With love,m.

So, How’s the play?

Oh, you mean that surprise piece of happenstance that's underscored how unhappy I was at work by how happy I am in rehearsal and performance?

That sudden flurry of activity that challenges me to quiet my inner critic and do what I’ve written here I’ve always wanted to do: perform and sing?

This universe of actor grumbling and sweaty mic packs and not enough room at the backstage table and no air conditioning and that railing that was never put in right and voice cracking and line flubbing and lighting failures?

Well, it’s fantastic!!

The buoyant aura of hard work and camaraderie, laughter and support. Even when we’re elbowing for room at the table, or need to ask someone for the hundredth time to hold your wig while you comb the bejeezus out of it – you know you’re doing it in the service of something larger than you.

To be in performance is so much more fueling than in rehearsal – like when they described Sex and the City, they said “the City” was the 5th main character. In a live performance, the audience is also a character, a member of the staged community. “It’s a great audience tonight.” “They’re not really laughing.” “They’re so into it.” You measure your performance not necessarily by how much they laugh or applaud, but by what they give you and what you give them back. And sometimes what you get is bolstering, and sometimes it's not, but it's always present. Creating something that never was and will never be again.

Flubbed it tonight? Live theater! Try it again tomorrow. Got your ridiculously long wig stuck on a screw during an entrance? Have your co-actor unhook you and get on with it. Didn’t get a laugh on that line tonight? Do it again tomorrow anyway, because you think it’s funny. Try it differently. “Let’s get crazy,” to quote a line from the show.

In addition to all this, I’ve loved the backstage buzz. People are talking about auditions and other musicals, and arguing about their favorite. People are going over their next audition monologues and kibitzing about where they’ll audition next and who the casting director is and if you saw that one last play, and Boy Howdy what a success/disaster.

It’s thrilling to me! Someone so new to this world, it’s like drinking from an oasis. People are actually talking about theater, about acting, about what they’ll do next. And it’s inspiring me to continue trying.

I know it would be very easy for me to not do anything for a while, because of my upcoming job transition. But, this play is part of the reason why I’m changing career avenues. And much of the point of the changing avenue is to change my schedule to accommodate being in productions.

Hearing all the dressing room chatter about upcoming auditions, I find I want to do more. And, like I wrote yesterday, it could be easy for me to let this thread drop when it’s over – I know how to have a flurry of activity followed by inaction. But being in the belly of the action, hearing words fly back and forth and the encouragement and the excitement shared by the other actors… I’m demanding from myself that I make these outreach emails and audition calls now, before the play is through.

So, how’s the play? It’s changed and is changing my life.

It’s hard, and I feel inadequate, and I judge myself against more experienced singers. I dread these two lyrics in the whole show and challenge myself to not dread them, to be present and let it be what it’ll be because it’s not the all of who I am or what I’m giving.

The show is fun and takes effort and requires me to be present and accommodating and kind.

In short, the show requires me to live. And live bravely. Amen. 

Yes, We Can.

• emailed landlord to ask to use 4th floor abandoned room as art room
• emailed vocal coach to inquire about lounge singing, how to start
• emailed friend to ask about going up in a small engine plane again. (flew one myself this year, and as always predicted, loved it. eventual vision of napa valley tour pilot.)
• have interview on monday for two teaching positions with a jewish organization
• have interview set up for another teaching gig
• have modeling/portraiture session set for next weekend
• replied yes to get minimum wage to usher at a Cake concert in two weeks
• will be reading tarot cards at good friend’s Halloween party on donation basis
• called friend's mom who’s a professional home stager about being her assistant
• have coffee info interviews set up with a few high-ballers in the community
• have action items from previous info interviews to follow up on
• emailed work-out studio to inquire about becoming an instructor and was told it's possible (with a lot of work)
• have a solid lead on fine dining waitress work if comes to that
• registered as a model with a “real person” modeling agency
• updated my profile on modelmayhem website
• got exact amount of pto i’ll be paid out when I leave my job at end of month
• inquired about health insurance exchange
• got flu shot and all blood tests up to date (all negative – which is positive!)
• made appointment for teeth cleaning
• ordered new shipment of contact lenses before these fall apart in my eyeballs
• replied to private tutoring gig from tutoring website I’m registered with (which… i’d completely forgotten about until I started getting these emails two weeks ago… coincidence?)
• emailed yesterday’s blog about t’shuvah to a jewish publication (a little late, obviously, but still.)

...to name a few of the actions I’ve taken in support of my work transition!

I am nervous about leaving the safety of my 40houraweekdeskjob. Yes.

But, I am taking a lot of action. Even as I drag my feet in some places, and have certainly been watching more Netflix than is good for any one person.

But I have a phone call with a mentor today and we’ll talk about smallness and scarcity and healing and changing. We’ll talk about, “Do not go back to sleep.” We’ll talk about the beguiling and insincere safety of being quiet and small. We’ll talk about the pain and bravery of stepping out of the cage and the tenacity and audacity it takes to stay out of it.

It’s not that I haven’t taken or thought to take any of the above actions before. It’s not my first time at this rodeo. But I just feel different. To quote Elisabeth Gilbert quoting a Balinese healer: “Even in my underpants, I feel different.”

But I also know my habit and pattern of swift work followed by years of inaction. I know what it’s like for me to engage in a flurry of activity and then allow it to languish by my lack of follow-up. I know what it’s like to abandon myself.

Which is why I’m telling everyone and their mother (literally) about my impending transition.

I cannot do this alone. I am a creature of habit, and I need you to be like my wagon train – I need you to lead me away from the ruts. If I let you know I’m on this path, you can help me stay on it. If I let you know it’s terribly painful for me to work toward something new, you can hold my hand and tell me you believe in me.

I know the source of all this change must come from within – I know it’s up to my own inner work to be the foundation for a new life. But I also believe in you, who believes in me, and we cycle one another into our best selves and our best lives.

Yes, I am the one who needs to actually look up that professional development course. And I’m the one who needs to continue looking at alternative work websites – and actually reply – but without you to cheer me on, without you to help me hold the lantern of faith, this change wouldn’t work.

That’s what feels so different this time – I feel supported internally and externally in a way these transitions have never felt. I feel optimistic and hopeful, giddy and aware.

Yes, the future is uncertain. But one action at a time, with your help and your heart, I am clarifying the vision of a future (and present) me who is freer than I’ve ever allowed myself to be. 

Conclusion.

The Cousin, of teenage fame and love unquenched, is getting married.

The Cousin (cousin of my brother’s best friend) and I had a long-running on-again-across-oceans-again relationship begun when we were teenagers.

I found his photo recently when I was clearing out my “g-d box” of items taken care of by time and fate, and those still remaining in an unresolved stasis. I didn’t put his photo back in the box, unresolved though I felt it to be -- For the last month or so, it’s sat by my jewelry box, the image of 16-year-old innocence and a complexity masked by his easy grin. I’ve spoken to it, asked it where he was, if he was happy, what he was doing, if he thought of me, if we were through.

Last we’d truly spoken, I’d confessed that his moving to California to join me was likely not a solution to the untethered life he was looking to escape. California didn’t save me, I told him on the phone the night of our last conversation. I had to do a lot of work for that to happen.

Our previous dreams of running away together, of his coming to California with me when I initially moved, that painting of the white picket fence that was more fantasy than reality, the painting of a life I wanted to fall into with him, but knew was not supported by truth… All this was crushed when I told him, No, you can’t move here to escape your life.

Years passed. There was one phone call, miraculously coincidentally when I was home in New Jersey in 2011, clearing out my childhood home before the house was sold. A fitting time to call, as I packed up a childhood, and all its experiences. It was where we met, in fact -- in my living room, with my brother, his best friend, and his cousin, visiting from Ohio.

The brevity of that initial visit, a summer of love, to be sure, meant that there wasn’t a foundation of reality to build upon, a life to support our connection. And in that house, a few years ago, I packed up the life of the person who’d fallen so passionately and deeply in love -- as well and as messily as a 19-year-old can do.

Our phone call wasn’t long. It was more a confirmation that we’d allowed the strains of time and place corrode the thread that connected us.

But, I’ve never felt complete with that ending.

And so, his photo remained in the “to be resolved” pile in my mental hopper, and for the last month, on my dressing table: his cheeky grin, dark mess of hair, lips that rival a female porn star’s.

And that’s how I recognized him when I saw his photo put up on Facebook yesterday by his aunt.

Time had changed him. His hair receded, cut short long ago for a military life he chose when he couldn’t move here.

But his lips are the same. That pouting lower lip I clung onto for hours. That framed his eager smile, formed his caressing words, and confessed his inner demons.

And he looks happy. On a hilltop in Hawaii with another woman. Someone who is available to make him happy, who can be there on his journey when I can’t be, since I can’t be.

That’s our conclusion, then. It’s not the final phone call I make to congratulate, to plant another seed or water a long-dead one. I am not saint or enlightened enough to not want to love him still, but I am wise enough to know we can’t – in the present, in reality.

So, I can put it here. I can write my gratitude for his finding happiness, what I’ve really wanted for him, no matter my personal desires. I can put here that I am glad to see him alive, well, experiencing life. That this conclusion is fitting, acceptable, and perhaps a happy one.

But I can also put here this conclusion ends a chapter that has spanned nearly half my life, has fed me great happiness, and has let me experience a connection with another human that I thought eluded me – I can put here that as I turn the page on “us,” I pack up that painting of the white picket fence with a mournful finality.